It seems everybody needs a second income these days. Male Voice Over Talents used in many circumstances. While it is a steep challenge hoping to make a living this way, it helps to know there are many different kinds of opportunities. These range from dramatic roles in audio books to an anonymous narration.
Recognized actors take audio acting roles because they're a relatively easy way to make extra money. The recording studio is a relaxed environment, without any need for makeup and costume. Often big stars will take roles in cartoons for the pleasure of performing for an audience of children, but even for them that extra paycheck can come in handy.
The good news is that there are vastly more speaking jobs than can be filled even by the obscure celebrities and aspiring actors of Hollywood. This is good news for all of us non-movie stars. As a rule, though, some background as an actor, even if that was simply in the class room, will be advantageous in finding sound recording work.
Acting appears in many forms. One sort would be that of the telephone salesman, mastering and delivering a scripted pitch at least forty times before lunchtime. The sales pitch can well be compared to a dramatic performance, with an audience of one. Any person capable of being an effective telemarketer likely can be effective in voice work, and might need the second income stream as well.
Struggling bill-collectors, fund-raisers, and customer-service employees should also take note of this opportunity. Those in these lines of work automatically cultivate a sense for when they are communicating in the most effective manner possible. Eventually, their most perfect phone persona is typically something a bit different from who they are most of the time, not unlike a character in an audio book.
Some qualities are generally helpful. A rich voice with a flat, "television accent" is usually the most in demand, with the best chance to get work reading previously unrecorded text into audio format. Here, the reader should not try to exude any personality of their own. Only the words of the book or article being recorded are meant to have a personality.
Those with a charismatic speaking style can be welcome precisely because of a unique accent or ethnic style. No one should be discouraged from working in voice just because they don't sound like their TV news anchorman. Further, a growing sector of the field demands bilingual narration, so there is demand for speakers of Spanish, Chinese, and many other languages.
There are those who manage to make their living entirely through voice-work. This requires more than the sort of voice and talent the market demands. It also requires the ability to see an opportunity, to plan, to network, and to market oneself. Those who make a living through audio work treat it like a small business in which they are not just the performer, but also officer manager and floor manager. But when all is said and done, this can be an unexpected source of income.
Recognized actors take audio acting roles because they're a relatively easy way to make extra money. The recording studio is a relaxed environment, without any need for makeup and costume. Often big stars will take roles in cartoons for the pleasure of performing for an audience of children, but even for them that extra paycheck can come in handy.
The good news is that there are vastly more speaking jobs than can be filled even by the obscure celebrities and aspiring actors of Hollywood. This is good news for all of us non-movie stars. As a rule, though, some background as an actor, even if that was simply in the class room, will be advantageous in finding sound recording work.
Acting appears in many forms. One sort would be that of the telephone salesman, mastering and delivering a scripted pitch at least forty times before lunchtime. The sales pitch can well be compared to a dramatic performance, with an audience of one. Any person capable of being an effective telemarketer likely can be effective in voice work, and might need the second income stream as well.
Struggling bill-collectors, fund-raisers, and customer-service employees should also take note of this opportunity. Those in these lines of work automatically cultivate a sense for when they are communicating in the most effective manner possible. Eventually, their most perfect phone persona is typically something a bit different from who they are most of the time, not unlike a character in an audio book.
Some qualities are generally helpful. A rich voice with a flat, "television accent" is usually the most in demand, with the best chance to get work reading previously unrecorded text into audio format. Here, the reader should not try to exude any personality of their own. Only the words of the book or article being recorded are meant to have a personality.
Those with a charismatic speaking style can be welcome precisely because of a unique accent or ethnic style. No one should be discouraged from working in voice just because they don't sound like their TV news anchorman. Further, a growing sector of the field demands bilingual narration, so there is demand for speakers of Spanish, Chinese, and many other languages.
There are those who manage to make their living entirely through voice-work. This requires more than the sort of voice and talent the market demands. It also requires the ability to see an opportunity, to plan, to network, and to market oneself. Those who make a living through audio work treat it like a small business in which they are not just the performer, but also officer manager and floor manager. But when all is said and done, this can be an unexpected source of income.
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