Most people seem to need a secondary income source during these challenging times. The demand for Male Voice Over Talents is on the rise. There's no promise of making a full-time career out of this work, but at least there is wide range of options. Opportunities for this work include studio recorded dramas, narrated text for audio instruction, and more.
Recognized actors take audio acting roles because they're a relatively easy way to make extra money. The recording studio is a relaxed environment, without any need for makeup and costume. Often big stars will take roles in cartoons for the pleasure of performing for an audience of children, but even for them that extra paycheck can come in handy.
Fortunately there is such a glut of demand for recorded readings that there aren't enough stars in Hollywood to scratch the surface of that demand. This leaves lots of work left for everyone else. Generally, there are more opportunities available for those who have some experience or training in acting.
Acting appears in many forms. One sort would be that of the telephone salesman, mastering and delivering a scripted pitch at least forty times before lunchtime. The sales pitch can well be compared to a dramatic performance, with an audience of one. Any person capable of being an effective telemarketer likely can be effective in voice work, and might need the second income stream as well.
Not just telemarketers, but anyone making their living through any customer work, from technical support to fund raising, might find themselves with an aptitude for voice-work. Those doing this work teach themselves to note when they are truly getting their point across, always with the help of professional coaching in the office. Over time what they shape is a personality not quite the same as their own everyday self.
Certain traits will always help in finding work. A resonant voice with an unaffected, everyday tone opens the most doors, making available the enormous bulk of text that is constantly being recorded for posterity. In this kind of narration work, it is often preferred that the reader have no distinct personality of any sort. The only identity intended to take the stage is that of the text.
There are opportunities for speakers with charisma, and someone might be be looking for one's own style at any time. There is room for people who don't sound like the readers of television news. Moreover, an expanding segment of customers require narration in more than one language, so those who speak Spanish or other languages might find work that seeks such expertise.
There are those who manage to make their living entirely through voice-work. This requires more than the sort of voice and talent the market demands. It also requires the ability to see an opportunity, to plan, to network, and to market oneself. Those who make a living through audio work treat it like a small business in which they are not just the performer, but also officer manager and floor manager. But when all is said and done, this can be an unexpected source of income.
Recognized actors take audio acting roles because they're a relatively easy way to make extra money. The recording studio is a relaxed environment, without any need for makeup and costume. Often big stars will take roles in cartoons for the pleasure of performing for an audience of children, but even for them that extra paycheck can come in handy.
Fortunately there is such a glut of demand for recorded readings that there aren't enough stars in Hollywood to scratch the surface of that demand. This leaves lots of work left for everyone else. Generally, there are more opportunities available for those who have some experience or training in acting.
Acting appears in many forms. One sort would be that of the telephone salesman, mastering and delivering a scripted pitch at least forty times before lunchtime. The sales pitch can well be compared to a dramatic performance, with an audience of one. Any person capable of being an effective telemarketer likely can be effective in voice work, and might need the second income stream as well.
Not just telemarketers, but anyone making their living through any customer work, from technical support to fund raising, might find themselves with an aptitude for voice-work. Those doing this work teach themselves to note when they are truly getting their point across, always with the help of professional coaching in the office. Over time what they shape is a personality not quite the same as their own everyday self.
Certain traits will always help in finding work. A resonant voice with an unaffected, everyday tone opens the most doors, making available the enormous bulk of text that is constantly being recorded for posterity. In this kind of narration work, it is often preferred that the reader have no distinct personality of any sort. The only identity intended to take the stage is that of the text.
There are opportunities for speakers with charisma, and someone might be be looking for one's own style at any time. There is room for people who don't sound like the readers of television news. Moreover, an expanding segment of customers require narration in more than one language, so those who speak Spanish or other languages might find work that seeks such expertise.
There are those who manage to make their living entirely through voice-work. This requires more than the sort of voice and talent the market demands. It also requires the ability to see an opportunity, to plan, to network, and to market oneself. Those who make a living through audio work treat it like a small business in which they are not just the performer, but also officer manager and floor manager. But when all is said and done, this can be an unexpected source of income.
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