Many writers, beginners especially, would get their ideas for fiction from their own lives. This can be useful for several reasons: you're emotionally invested in the topic, you can relate directly to the main character, and if the situation actually happened to you, you're less likely to be unconsciously basing the story on a book you've read. This may be fascinating to you, but will others feel the same way?
There are many instances where real live events are just events. This scene is something you can recall with pleasure or a family joke that's already been repeated many times. It evokes strong emotions when you remember it, perhaps you even look back on an event as a turning point in your life. But reality providing a plot rarely happens.
To make a good story, like the main character facing a conflict and the tension mounting as he/she tries to solve it and climax and resolution that readers find satisfying, would not be developed if writers stick to closely to what really happened.
If your main character is really your son, you might not want to get him in trouble or throw rocks in his path. However, you have to do it. You have to if you want to create a story where the readers are hooked and wondering what's going to happen in the end.
Speaking of endings, if the resolution of your story comes too easily, it's probably obvious and predictable. Try mixing up real life and have the situation evolve in a different direction. Surprise yourself, and you'll surprise an editor.
However you get your idea, focus first on whether it's a plot or a theme. An initial idea most of the time is the underlying meaning of the story and what the author wants to be conveyed to the reader. Themes should be universal in their appeal-- such as friendship, appreciating one's own strengths, not judging others too quickly. Until you develop a plot that makes this theme clear to the reader, play around with the sequence of events. And remember; if you're using a childhood incident as the foundation of your story, tell it from your childhood viewpoint, not how it feels to you now as an adult.
There are many instances where real live events are just events. This scene is something you can recall with pleasure or a family joke that's already been repeated many times. It evokes strong emotions when you remember it, perhaps you even look back on an event as a turning point in your life. But reality providing a plot rarely happens.
To make a good story, like the main character facing a conflict and the tension mounting as he/she tries to solve it and climax and resolution that readers find satisfying, would not be developed if writers stick to closely to what really happened.
If your main character is really your son, you might not want to get him in trouble or throw rocks in his path. However, you have to do it. You have to if you want to create a story where the readers are hooked and wondering what's going to happen in the end.
Speaking of endings, if the resolution of your story comes too easily, it's probably obvious and predictable. Try mixing up real life and have the situation evolve in a different direction. Surprise yourself, and you'll surprise an editor.
However you get your idea, focus first on whether it's a plot or a theme. An initial idea most of the time is the underlying meaning of the story and what the author wants to be conveyed to the reader. Themes should be universal in their appeal-- such as friendship, appreciating one's own strengths, not judging others too quickly. Until you develop a plot that makes this theme clear to the reader, play around with the sequence of events. And remember; if you're using a childhood incident as the foundation of your story, tell it from your childhood viewpoint, not how it feels to you now as an adult.
About the Author:
When you're searching for information about we buy homes baton rouge, we've got the solution.
0 comments